Kore wa Zombie Desu Ka? 09

Why is it petting you, you ask? Why not?

Overall a stronger episode than the last few. The rolling ferris wheels and giant stuffed animals falling from the sky have my whole-hearted approval. The drama with both Eu and Sera’s decisions were well done too. But Yuuki’s transformation and Ayumu’s power of love was way too corny.

First of all, where exactly did that golem thing come from again…? There’s a difference between funny nonsensical randomness, like the yellow animal thing, and randomness because the creators just pulled something out of their rear ends. Second, the power of love winning like that is just way too corny and overused, so much so that it isn’t even funny in spite of how ridiculous it is, just depressing. Besides, any actual drama with Yuuki working is hopeless since I (and I’ll assume everyone else) never liked her in the first place. The only way I can see to have made scene work is to do what this series does best – over the top ridiculousness. Yuuki’s golem should have been a ramen bowl or something, and Ayumu could charge through a bullet cloud of noodles, having his dress ripped apart in the process, to defeat the golem by drinking all the broth, which would transform into Yuuki and a bonus kiss scene. Why do so many comedy series feel the need to insert some terrible corny drama?

I’ve noticed that Sera’s insults seem to be improving from the rather generic piece of s**t which accounted for every other word out of her mouth in the earlier episodes. The “wait, you always looked like that” in particular was perfectly timed.

Onii-chan no Koto 09

At this point, I’m just continuing to lose interest in this show every week. It began ok, but it’s just become bogged down in using the same jokes over and over again with little to no variance. This week saw the addition of a competition in pervertedness between Nao and Iroha, which was even more painful to watch than the jokes they keep retelling.

As usual, the highlights were the ten second cameo by Nao’s friends and the AGE’s activities. I will admit though, this episode was better than much of the long stretch where Nao and Iroha were getting along for no apparent reason.

Also, I’m completely confused about Kondou. I thought she was going abroad for a while, but she’s back already? Her brief scene at the end was one of the best parts (relatively speaking), but that’s probably only her nipple fetish is their latest joke, only introduced one episode ago. I’m sure that in an episode or two I will be tired of it already.

Star Driver 22

Star Driver’s build up is starting to pay off in droves and we’re on track for a fantastic finale. School plays do not exactly have the best track record for transferring well to anime episodes, but the way they did it here really worked as a microcosm of the entire show and a retelling of Sakana-chan’s version. The creators’ approach reminded me of the school play from Gunparade March, which also was one of the better episodes of that show.

This episode was chock-full of revelations, but also a proportional amount of new questions. As I speculated last week, one of the last characters to be developed  is the drama club president, Sarina Endo. And she or the vice president or both appear to be aliens who watch over the Cybodies. I wonder if the vice president is a cousin of our other furry little alien friend (that was the happiest picture I had of him).

The big question remaining seems to be what is the role of the maidens in all of this. With Keito being caught in her naked nighttime excursions, it appears that we should be getting some answers regarding this shortly. The fact that Wako and Sugata are in the same club as the President, and Sakana-chan told the same story to Head indicates that they know something about what’s going on. Are the maidens also aliens, or collaborators? Wako’s ephemeral role in the play seems to suggest that they may be, but the president’s statement in the play about not using magic would seem to distance the maidens from herself.

The actual story was great and all, but this episode was completely stolen by Sugata’s maid. Apparently her name is Tiger Sugatame (the other one is Jaguar Yamasugata, and yes, I had to look this up). Very creative on the last names there…. Some phenomenal voice acting, as well as an actual good and interesting use of fanservice.

Hourou Musuko 07

I was looking forward to this episode from having read the manga- the beginning of Shuusuke and Ana’s relationship was one of the best parts of the manga as well. It really came completely out of left field, which made it all the more surprising how well it turned out. But Shuusuke, dating your sister’s friends is still in bad taste.

The confession scene was particularly excellent, with Ana’s resposne of “so”? A great contrast to the dramatic, teary-eyed confession scenes we’ve come to expect. The creators have been doing a good job at generally making the relationships between the characters believable for how people of their age would actually act – immature, hyperactive, selfish, etc. Probably the one with the least believable personality is Shuusuke. Really, going on a date to the zoo? I thought that was uncool even for ten year olds.  Maybe zoos are more popular in Japan.

The fallout from Ana and Shuusuke’s relationship was enjoyable as well. The creators have done a great job portraying the complex interwove relationships between everyone by putting nearly all of the characters in every episode. It’s particularly impressive that they do this without the plot seeming to suffer from any issues with a lack of focus. But we get to see more deeply into Mako, Maho, Chiiba and Takatsuki from this event. The characters all have a lot of depth given how little screentime they get.

The only issue is, I would imagine that this show would be extremely confusing for those who haven’t read the manga. I would probably have trouble remembering all the characters who were introduced in such a short period of time. But it was probably a good decision, since with a larger introduction they wouldn’t have gotten very far within the brief timeline of the TV series.

Now for the obligatory Chiiba shots!

Baka to Test to Shoukanjuu Matsuri 01

This OVA was a worthy entry in the series, returning to the fast-paced humor of the first half which unfortunately dragged out in the second. We had the same levels of ridiculousness that made the first season hilarious.

Flat-chest jokes generally make me cringe, but this background text was hilarious.

Comedy, it seems to me, is something that’s very personal. From trying to write this blog, I’ve realized that I don’t really have much in the way of explanation as to why something is funny. For example, I’ve been complaining for a while now about how Iroha’s stalking in Onii-chan no Koto just isn’t funny anymore since it’s been overused so much. But is that really the reason? Baka to Test reuses the same jokes over and over again – Himeji’s deadly cooking, Minami’s chest, Yoshii’s cross dressing, Voyeur’s peeping, and Hideyoshi’s… existence. Yet it’s still funny every time. It must be something to do with the delivery – when the two punks claimed they had kidnapped the most popular waitress, it was patently obvious they were referring to Hideyoshi in spite of Yoshii’s belief to the contrary. And yet when they arrived to find him, playing the game of Life with his captors, I just cracked up. They go the extra mile with their jokes to put extra layers on them. Plus, the pace is too fast for you to lose interest.

I’m looking forward to the second season of Baka to Test, especially if it can keep up this pace, as well as the second OVA which is due in a month. In completely unrelated news, I figured out how to include subtitles in mplayer! (for the curious, use mplayer -ass -vf ass,screenshot)  We also learned this episode that Voyeur-kun uses *nix and python. Finally an anime character who doesn’t use Windows and silly GUIs.

This was great too - the same as usual but with a twist.