All posts by draggle

Hanasaku Iroha 19 — Sloppy

My hotel does have an internet connection, albeit a slow one, so I managed to watch Iroha. I have to run in fifteen minutes so let’s see how I do at speed writing. No guarantees on whether I’ll have time for Stein’s; Gate, but expect a big post tonight (about what? it’s a surprise!).

Things are starting to head back in the right direction with this episode. The biggest improvement, from my perspective, is that this episode didn’t focus on a single character but instead consisted of a bunch of intermingling subplots woven together. We had Minchi attempting to lead a group of students in cooking (who are not nearly as gung-ho as she is), Nako becoming a connoisseur of abstract art, and Ohana and Yuina leading a group of waitresses. There were also many smaller developments of interest: we discover that Beanman has a son, Enishi begins bragging about his love life, and the novelist’s fantasies continue unabated.

The drama seems like it is making a comeback as well. Minchi is in quite a pickle, and I’m guessing it will require some intervention by Ohana and Yuina to salvage the cultural festival. The love triangle with Tohru is also reigniting, with Tohru going to the culture festival to see Minchi Ohana. I wonder if Ko will show up? There seems to be some not-so-subtle hinting to that effect.

My favorite part of the episode had to be Ohana’s dream sequence. Cross-dressing in anime is often overused, but I felt that as part of the dream sequence it fit in quite nicely. This is the kind of ridiculous and nonsensical thing with just the right amount of connections to and confusions with reality that it felt like an actual dream. Ko is quite cute as a girl too.

I also like how they showed Nako making a friend in class- she actually does seem to have grown a bit from the previous episode. It’s not a big change, since the rest of the class still ditched the two of them, but this makes it a more believable amount of progress. I wonder if Nako’s new friend will be insulted by the painting title. Also Nako’s compliment for Ren’s eyebrows: what the hell? Is this the beginning of a new pairing?

Seeing (Rudolf) Steiner

In Steins; Gate, the title of the show and Okabe’s ability “Seeing Steiner” both borrow their name from Rudolf Steiner, an Austrian philosopher of the early twentieth century. With Okabe’s penchant for choosing names from Norse mythology, the use of Steiner’s name appears to take a special significance.

Steiner developed a system of philosophy called Anthrosophy, a new artistic movement form called eurythmy, and an entire system of education— and that’s just the tip of the iceberg. See the Wikipedia article for the full details.

But Steiner’s biggest contribution to Stein’s; Gate is his philosophy, so I’m going to focus on that here. The main idea of Anthrosophy is that there is a spiritual world, which can be intellectually understood, and can be experience directly by developing the inner senses. I read through Steiner’s essay Mysticism at the Dawn of a Modern Age to get some idea of his thoughts and how they fit into Stein’s; Gate. You can read the entirety of the essay here, but be warned, it’s extremely dense and Steiner doesn’t appear to believe in paragraphs. All of the quotations I’ve taken are from this essay. (I glanced at a few of his other works as well, and some are more out there than others. Although that particular essay may help to explain that odd scene with Mayushii from millions of years ago.)

 

Steiner places a heavy emphasis on the idea of “seeing”. This passage provided the clearest explanation of his views for me:

Now Weigel says to himself, If the perception flowed from the counterpart (thing) into the eye, then, of one and the same thing, the same complete perception would of necessity have to arise in all eyes. But this is not the case; rather, everyone sees according to his eyes. Only the eyes, not the counterpart, can be responsible for the fact that many different conceptions of one and the same thing are possible. In order to make the matter clear, Weigel compares seeing with reading. If the book did not exist of course I could not read it; but it could be there, and I would still not be able to read anything in it if I did not know the art of reading. Thus the book must be there, but of itself it cannot give me anything at all; everything that I read I must bring forth out of myself. That is also the nature of natural (sensory) perception. Color exists as a “counterpart;” but out of itself it cannot give the eye anything. On its own, the eye must perceive what color is. The color is no more in the eye than the content of the book is in the reader. If the content of the book were in the reader, he would not have to read it. Nevertheless, in reading, this content does not flow out of the book, but out of the reader. It is the same with the sensory object. What this sensory object is outside, does not flow into man from the outside, but rather from the inside. — On the basis of these ideas one could say, If all perception flows from man into the object, then one does not perceive what is in the object, but only what is in man himself… Weigel says to himself, Although perception flows from man yet it is only the nature of the counterpart which emerges from the latter by way of man. As it is the content of the book which I discover by reading and not my own, so it is the color of the counterpart which I discover through the eye, not the color which is in the eye, or in me. On his own path Weigel thus comes to a conclusion which we have already encountered in the thinking of Nicolas of Cusa. In his way Weigel has elucidated the nature of sensory perception for himself. He has attained the conviction that everything external things have to tell us can only flow out from within ourselves. Man cannot remain passive if he wants to perceive the things of the senses, and be content with letting them act upon him; he must be active, and bring this perception out of himself. The counterpart alone awakens the perception in the spirit. Man ascends to higher cognition when the spirit becomes its own object. In considering sensory perception, one can see that no cognition can flow into man from the outside. Therefore the higher cognition cannot come from the outside, but can only be awakened within man. Hence there can be no external revelation, but only an inner awakening. And as the external counterpart waits until man confronts it, in whom it can express its nature, so must man wait, when he wants to be his own counterpart, until the cognition of his nature is awakened in him. While in the sensory perception man must be active in order to present the counterpart with its nature, in the higher cognition he must remain passive, because now he is the counterpart. He must receive his nature within himself. Because of this the cognition of the spirit appears to him as an illumination from on high. In contrast with the sensory perception, Weigel therefore calls the higher cognition the “light of grace.” This “light of grace” is in reality nothing but the self-cognition of the spirit in man, or the rebirth of knowledge on the higher level of seeing.

One of the central ideas here is that “everything external things have to tell us can only flow out from within ourselves.” This sounds confusing, but actually makes a lot of sense from the reading example. It is our brain’s interpretation which internally allows us to “see” and to read books. Okabe’s Seeing Steiner is likewise an internal sense which allows him to experience other timelines. It is simply another thing he perceives, a sense that comes from within himself.

Another central idea is that man, through these internal acts of seeing, rises above the natural world, and that the “universal soul… tears down the barrier between the outer world and the inner world… and embraces both.” Could this barrier be what the title of Steins; Gate refers to?

Man is entangled in the world of the senses and in the laws of nature, by which the world of the senses is dominated. He himself is a result of this world. He lives because its forces and substances are active in him, and he perceives and judges this world of the senses in accordance with the laws by which it. and he are constructed. When he directs his eye upon an object, not only does the object appear to him as a sum of interacting forces dominated by the laws of nature, but the eye itself is already constructed according to such laws and forces, and the act of seeing takes place in harmony with these laws and forces. If we had attained the utmost limits of natural science, in all likelihood we could pursue this play of natural forces in accordance with natural laws into the highest regions of the formation of thought. — But in doing this we already rise above this play. Do we not stand above all mere conformity to natural laws when we survey how we ourselves are integrated into nature? We see with our eye in accordance with the laws of nature. But we also understand the laws in accordance with which we see. We can stand on a higher elevation and survey simultaneously the external world and ourselves in interplay. Is not then a nature active within us which is higher than the sensory-organic personality which acts according to natural laws and with natural laws? In such activity is there still a partition between our inner world and the external world? That which judges here, which gathers insights, is no longer our individual personality; rather it is the universal essence of the world, which has torn down the barrier between inner world and outer world, and which now embraces both. As it is true that I still remain the same individual in external appearance when I have thus torn down the barrier, so it is true that in essence I am no longer this individual. In me now lives the feeling that the universal nature speaks in my soul, the nature which embraces me and the whole world.

Okabe certainly stands on a higher plane, observing the external world and himself from afar, in perhaps a more literal sense than Steiner intended. With his ability to experience multiple universes, he has become an outside observer of the external world, observing the external world and himself in interplay across the vast expanse of the multiverse. In essence, Okabe is no longer the same individual he once was, as now the universal nature (his multiple selves) speaks in his soul.

Another thing we may be able to glean from Steiner’s ideas here is why Ruka and Feyris are able to remember their lives in the other universes. We can surmise that Ruka and Feyris have managed to tear down the barriers between themselves, Okabe and the different timelines in order to unite with the universal soul and connect with their experiences in parallel universes.

Here are a few more excerpts related to “seeing” that I enjoyed, you can decide for yourself how (or if) they relate to Steins; Gate.

Man finds himself to be an individual being, a creature of nature. And no science can reveal anything more to him about this life than that he is such a creature of nature. As a creature of nature he cannot go beyond the state appropriate to a creature of nature. He must remain within it. And yet his inner life leads him beyond it. He must have confidence in something no science of external nature can give and show him. If he calls this nature the existing, he must be able to advance to the view which acknowledges the non-existing as the higher. Tauler does not seek a God who exists in the sense of a natural force; he does not seek a God who has created the world in the sense of human creations. In him lives the recognition that even the concept of creation of the teachers of the Church is only an idealized human creating. It is clear to him that God is not found in the same manner as science finds natural processes and natural laws. Tauler is conscious that we cannot simply add God to nature in our thoughts. He knows that one who thinks God in his sense, does not have any other content in his thoughts than one who has grasped nature in thought. Therefore Tauler does not want to think God; he wants to think divinely. The knowledge of nature is not enriched by knowing God; it is transformed. The knower of God does not know something different from the knower of nature: he knows differently. The knower of God cannot add a single letter to the knowledge of nature, but through his whole knowledge of nature a new light shines.

 

“We are to be united with God essentially; we are to be united with God as one; we are to be united with God altogether. How are we to be united with God essentially? This is to be accomplished by a seeing and not by a being. His being cannot be our being, but is to be our life.” Not an already existing life — a being (Wesung) — is to be understood in the logical sense; but the higher understanding — the seeing — is itself to become life; the spiritual, that which belongs to the idea, is to be experienced by the seeing man in the same way as the individual human nature experiences ordinary, everyday life.

Dantalian no Shoka 04 — Dalian Discovers BL

The previous episode was anticlimactic in the best way. This episode was anticlimactic in the worst way. What were the creators thinking here?

The setup was for the mystery was great, until the end, when the author and his lover are lying on the floor getting murdered over and over again as Huey and Dalian watch from the sidelines without much concern. (For a sensitive young maiden, Dalian sure seems inured to slaughter.)  Here I’m expecting Huey or Dalian to do something to end this impasse. Then one of the shots happens to decapitate the dead man. He proceeds to pick up his head. At this, the woman goes ballistic and shoots him even more but the shots have no effect. He begins to glow, as does his lover. They merge into a gelatinous mass of light, and smother their murderer to death. They disappear.

Now while this is happening, Dalian and Huey are standing in the jail cell. As the corpse picks up its head and begins glowing green, they stand there and watch, nodding sagely that it’s evolution. They seem unimpressed by the transformation into an energy being with two souls. After all, the two people have died thousands of times, so there’s plenty of time for evolution to work its magic! Of course they have developed an immunity to death! It’s science! After the organism passes away, Huey prays for its soul, Dalian says “Amen”, they grab the conclusion of the BL novel for Dalian and go on their merry way.

This episode just made me ask: what is the point of our main characters? They were worse than useless in this final scene. Couldn’t they at least feign some concern or surprise upon witnessing a massive killing spree and a decapitated man transforming into an energy being? If not, why are they even there? In the last episode, our main characters didn’t do much to solve the mysteries either: but at least they weren’t indifferent. They were worried about the children, and were certainly not pleased about being robbed. In this episode, they’re just passerby who don’t even care about a mass murder right in front of them.

Aside from that I actually liked the episode though, so who knows, I think this was just a one-off thing with a conclusion not to my liking. The two main characters do need to start getting more involved though. I was hoping for some longer non-episodic story line… or at least something involving Huey and Dalian.

This week’s Phantom Book is Ras Alhague by Asclepius. As far as I can tell a book by this title doesn’t exist. Asclepius is the Greek god of healing and medicine. There are several stories about Asclepius’ death: in all of them, he is killed for bringing someone back from the dead. The rod with a snake around it (see the book’s cover) is Asclepius’ symbol. The snake is believed to symbolize rebirth and rejuvenation, through the shedding of its skin, and also the snake’s venom may bear some comparison to medicine.  This snake leads to the title of the book, Ras Alhague, which means “the head of the serpent” in Arabic. This is also the name of the star which is, well, the head of the serpent, in Asclepius’ constellation Ophiuchus.

A blog note: I’m travelling again and will be gone next week. I won’t be quite as busy or travel nearly as far as my last trip (just across the country), so I may still be able to update: it all depends on my hotel’s internet connection. I do have at least three posts scheduled for my absence either way. So Stein’s; Gate and Iroha posts may be delayed until next weekend, and next Thursday’s shows will be delayed a day or two as well.

Mawaru Penguindrum 05 — Lovers’ Quarrels

This just keeps getting better. I really love the interactions between Shouma and Ringo. I’m not sure if I can quite put my finger on what makes it so much fun to watch though. Part of it is the fact that they both have their own social idiosyncracies: Shouma goes ahead and ask a girl if he can “borrow” a girl’s diary without realizing the implications, and Ringo is, well, a crazy stalker. Another part is that their personalities are so distinctive and different from one another. Shouma is soft spoken and mellow, while Ringo certainly isn’t. The other thing I like about them is how they just don’t get along, even though in many ways they’re so similar. The way they don’t get along is obvious, but their similarities come through in a bunch of smaller ways: their love of curry, their identical reactions on Himari’s revival, and Ringo’s near perfect usurpation of Shouma’s usual spot during this week’s Survival Strategy. They’re also both kind of idiots.

I’m becoming even more impressed with Ringo on her own as well. If anything, her luck turned out even worse in this episode. Her dad doesn’t use their family cellphone strap anymore, and her plan to win the heart through the stomach is soundly defeated by a preemptive strike. Then her newfound best friend’s brother tries to peek at her diary, and her friend then dies. Not exactly the best day. But she still manages to keep spirited throughout. She gives Shouma a great talking to as well. If everyone in Mawaru Penguindrum ends up as well developed as Ringo and Shouma, this is going to be a memorable show.

The survival strategy this episode was even better than usual. This is why rituals like the survival strategy scene are so powerful: it becomes all the more memorable when you break a well-established precedent. All seemed normal at first, except for Ringo taking Shouma’s usual place. The survival scene arrival and confrontation continued along the usual path, up through Ringo falling through the trap door and Shouma complaining to the penguin hat. He even mentions that he can’t get the purse from Ringo because she fell through the door. And then it turns out she grabbed onto the edge. She jumps out of the door, runs up the stairs and throws the penguin hat onto a passing truck. Ringo is a badass. And the reason this scene had so much of an impact is because the entire scene had been repeated so many times and become a ritual, with the viewer developing strong expectations.

The other half of the episode was flashbacks and Kanba’s side of the story. So did Kanba get that money by pushing the girl down the stairs? The girl said that she saw “him”, and since she’s in the league of Kanba’s ex-girlfriends, Kanba is the most likely culprit. Also, Kanba’s money packet had the same penguin seal as the red-haired girl’s bullets. Kanba always seemed willing to go quite far for Himari’s sake, so I can’t say I’d be entirely surprised. I wonder who the red-haired girl who seems to

  • The penguins continue to be fun times.
  • That doctor was hilarious.

No. 6 05 — Nothing Matters When We’re Dancing

This episode was a step in the right direction. Safu made her return, and we discovered a bit more about the disease and its apparent spread.

The main reason I felt things were improved, however, was because Shion and Nezumi weren’t together much. This isn’t the best of signs. Alone, each of them is tolerable, even if they aren’t the best characters. But when they’re together… The scenes where Shion was with the dog woman and his mother’s friend were pretty decent, until Shion heard about the bee disease spreading and started screaming about how he had to tell Shion right this second or the world would end. People miss their significant other when they’re apart, but the extent Shion takes this to is simply ridiculous. And then after he rushes over to the theater, Shion decides he shouldn’t go in because Nezumi told him not to. I don’t care what you do, Shion, just don’t waste my time titillating.

I will admit that the dancing scene was nice though (at least in terms of animation). Some very nice scenery. Shion’s confession afterward and the hitting of Nezumi’s weak point… ugh. But it wasn’t nearly as bad as the fiasco at the theater.

Interestingly, Shion is already becoming more popular than Nezumi due to his less abashed charity. He’s already closer to the dog woman and the neighborhood children than Nezumi ever was. For those who are wondering, the story Shion read to the children was Oscar Wilde’s The Happy Prince, and the show has already referenced it several times. My simplistic interpretation: Shion is the prince, who has already lost his ruby / hair, and Rat is the Swallow. Who will the reed be?

The other event of note is Safu’s return. I had kind of assumed that all of No. 6 was as frank about sex and reproduction as Safu, but this appears to be incorrect. She’s an oddball even in the cities. It seemed that the creators were trying to show how Safu changed a lot since she left, with her classmates claiming the only thing that hadn’t changed about her was her frankness regarding reproduction. I can’t really see how she’s changed at all though. She seems exactly the same to me. Perhaps she’s a bit more pretentious?

The other thing is that vision. Why did both Safu and Nezumi see the same thing? The only thing they appear to have in common is that they both know Shion, who happened to be in the vision. Perhaps not only did the bees affect him, but he affected the bees? My suspicion is still that the bees are a censorship tool used by the city— everyone so far has become ill after voicing some rebellious ideas. Hard to say though.

With Safu coming back next week to say goodbye to her grandmother fight off her love rivals, I’m optimistic that things will improve. My patience is gradually wearing thing with No. 6, however.