All posts by draggle

No. 6 07 — A Goodnight Kiss

No. 6 is on the verge of picking up as, well, the characters head back to No. 6. Six episodes about nothing but Shion and Nezumi’s love nest in an eleven episode noitaminA series? Enough is enough. This series is doing worse than Fractale with respect to using its time wisely.

I mentioned last week that Dogkeeper was one of the more tolerable characters in this series, but the creators are on the verge of forcing me to revise even this modest piece of praise after this week’s episode. First of all, that opening segment. Shion says “Thank you for the compliment!” while smiling and bathing a dog. Dogkeeper blushes, then scoffs, and shouts “That wasn’t a compliment! Don’t get full of yourself!” while turning away and crossing her arms angrily. Pick any harem show, this scene could have been copy-pasted right out of it.

The other thing which bothered me is the scene where Nezumi blackmailed Dogkeeper to help him. Nezumi used his superior analytic powers to make a stunning psychological revelation that shook Dogkeeper’s very soul— that she fears death. He tells her that if she’s dying slowly, miserably and painfully he won’t help her or sing for her if she doesn’t do what he asks. I guess this is supposed to be a comment on how even basic human decency is something that must be purchased in the ghetto outside No. 6. But really, if you have to bargain over this sort of thing, why would you trust anyone enough to keep their promises in the first place? The fact that Nezumi even proposed this is ridiculous, considering he could have just mentioned Shion’s name and Dogkeeper probably would have helped. But what really bothered me is that Dogkeeper was so affected by this threat. She should have just kicked Nezumi out and sicced her dogs on him.

The root problem that bothers me in both of these scenes is the same. Dogkeeper was initially presented as a loner who learned to be tough to survive, and whose family was a pack of dogs. She tried to kill Nezumi after he gave a slight insult to her mother. And now she’s getting all teary eyed from someone saying thank you, and cowed by the threat of someone she tried to kill the other day not sitting by her death bed? I get that they’re trying to show she is kind and does rely on other people, but with such a dramatic difference in actions, I have to ask, is this the same person?

On to my next complaint… which is, once again, how over dramatic everything is. I’ll point out two major instances of this. The first is from when Shion went clothes shopping and found Safu’s coat and started screaming at the shopkeeper. This guy has anger management problems (not to mention this is a rather far-fetched coincidence). The second instance is the goodnight kiss scene, where Shion says “I’m glad to have known you” and then kisses Nezumi “goodnight”. Nezumi’s accusal of bad acting doesn’t even begin to describe this.

With all that said, I felt that the scene at the end, along with the brief interludes into No. 6 with Shion’s mother, were on the right track. There are some hints of progress in the overarching story. In the scene where Shion tried to make his escape, watching Shion’s counterpunch to Nezumi hit was quite satisfying. Nezumi’s flashback was also nice in explaining why he’s taking care of Shion, since it provided a rare glimpse under his skin and past the front he is acting out.

But seriously, I wish they had condensed the last six episodes into two or three, and focused on the bee plague, social injustice and No. 6’s dystopia instead of Shion and Nezumi’s love nest.

Steins; Gate 20 — Brawny Mr. Braun

I’d always assumed his first name was Wernher. Major spoilers ahead.

So FB is revealed, and it’s none other than Okabe’s landlord. I can’t say I expected it, but I can’t say I’m all that surprised either. There weren’t all that many choices among the characters we’ve met so far who aren’t in Okabe’s harem. Mr. Braun, Feyris’ dad, Mr. Braun’s daughter, the guy who sold Daru the charm… so yeah. Pickings are slim.

So Mr. Braun was poor, lived in the sewers, CERN helped him get out but he became a puppet, yada yada. Not a terribly interesting backstory. I think the creators of the anime realized this as well and skimmed over it. But two things do make him interesting: first, his daughter, and second, his relationship with Suzu. His relationship with his daughter drives him to commit suicide in a manner that was unexpected. I did not see this one coming. He also gets angry when Okabe mentions Suzu. I have to wonder what her role in all this is.

CERN has a pretty impressive organization, for a system composed of social rejects such as Moeka. I kind of assumed they were just a bunch of European megalomaniacs with a small leadership and a hit squad or two, but they seem to actually have a vast network of associates even in the present day. Their organization would be the envy of spy and terrorist cells the world over- everyone only seems to know a couple of people. The handing off of the IBN5100 was quite impressive (but not too effective against someone who can send messages to his past self). And their members are completely dedicated to the cause to the point of death, even if only out of fear.

We learned one thing from Mr. Braun which none of the characters seemed to think much of, but that seems critically important to me: that Okabe will be killed as well once he has finished his task. This seems to go together with another suspicious circumstance: the fact that CERN always allows Okabe to travel back in time with the time machine, even when they are shooting at him or invading his house.

So why is Okabe useful to CERN? It could be because he’s the one they’re relying on to build the time machine, but I doubt it. It was mostly luck. Or was it? Mr. Braun’s television serves as a critical component of the time machine. I’m going to hypothesize that CERN has been five steps of Okabe the entire time: that in fact, CERN wants Okabe to “oppose” them and prevent Mayushii’s death. Why? I’m not entirely sure, but perhaps their true goal is something more ambitious than ruling the world. Okabe’s ability would be useful to an organization such as theirs.

Lastly, Okabe finally realizes that Christina dies in the timeline he’s planning to return to. Took him a while to realize that. I wonder if he’ll choose to go back there or try something different. Christina has been guiding him in his return to the original timeline, and without her he’s going to be even more lost than he is without Mayuri.

Hellsing 08 — I’m no Mere Bishop… I’m an Archbishop!

It’s been what… a year or two since the last episode was released?

To those who read this blog regularly, you may have realized that bloody action shows are not exactly my thing. So this may come as a bit of a surprise, but well, I think that Hellsing Ultimate is bloody (hahaha) awesome. Here’s why:

  1. Insanity. There isn’t a single character in this show who isn’t completely insane and who doesn’t laugh in delight at the sight of blood and carnage. Well, at least not anyone who lives longer than ten seconds. And most of those guys are insane too.
  2. Sheer Ridiculousness. We have a battle between the Inquisition, Anglicans, and undead Nazis. And Father Anderson and Alucard make for two more armies.
  3. Audacious Badassery. Each of the main characters could easily defeat an army single-handedly. These guys make the heroes of Tenga Toppa Gurrenn Laggan look like a girl scout troop.
  4. Evil Laughter. Bwah ha ha ha ha!
  5. Great Dialogue. The style is reminiscent of Shin Mazinger Z. The characters pose in the middle of battle and just scream epic lines at each other.
  6. Fountains of Blood. The creators of Hellsing Ultimate have taken blood and gore so far past the point where it becomes disgusting that it has reached a second plateau where it is simply a matter of course. They are not afraid to take anything too far. There are more limbs ripped off per episode than there are limbs.
  7. Father Anderson. Amen.

If I had to describe Hellsing in one word, it would be epic. The creators aren’t afraid to take anything too far. And it works. Character development? I suppose they throw a bit in here or there. A sensible plot? Nah. Humor? Unless you find the amount of gore funny (I’ll be honest: occasionally I do). But who needs these things. We’ll just show monsters killing things, shouting at each other and  generally being badasses. If the bad guys are going to invade London, let them massacre the entire populace! And then we can have the rescue force finish off the survivors! If you’re going to have an action show, this is how you should do it! Don’t hold anything back, and go all out! I’m glad all anime aren’t like this, but for once in a while it’s quite entertaining.

As for episode eight, in particular: it’s a continuation of the London invasion, and Alucard makes his return. (why couldn’t England have sent a faster boat to pick him up again…?) Both the inquisition and the Nazis stop their battle to kill Alucard. Of course, they get destroyed. Father Anderson begins the ultimate showdown, and turns into a monster like Alucard.

A few other minor reasons why I like the show:

  • Awesome animation.
  • Zeppelins.
  • Nazis and Knights Templar with machine guns.
  • Crystal Dragon Jesus.
  • None of this good and evil silliness. Everyone’s evil!
May the rest of the episodes come out faster. A – men.

Hanasaku Iroha 20 — Into the Magical World

Of cooking.

This week’s developments are fairly predictable: Ohana, Yuina and Nako help Minchi reconcile with her classmates, and they end up cooking omelette rice. Nako makes a friend. Minchi writes “LOVE” and draws a heart on Tohru’s omelette rice. Everyone is impressed with Minchi’s courage. Tohru thinks they write that for everyone.

It was a decent episode, but at this rate, the creators need to get moving if they want everything to come to a conclusion. We’ve spent a while in this rut of episodes focusing on the side characters, and Ohana and her family have been more or less neglected. Ohana’s relationship with Ko has no resolution in sight, we haven’t seen the mother for a while, and Ohana’s relationship with her grandmother hasn’t changed much, if at all, for the past ten episodes. Hanasaku Iroha has the potential to be something more than another cute girls doing cute things series, and the creators seem reluctant to latch onto that possibility.

In other news, little kid Minko is cute. She dreamed of entering the magical world of cooking ever since she was little. And Nako’s titling of her new friend’s painting as “Sloppy” appears to have been part of a dream. The “it was all a dream” ending is the first entry in the book of terrible cliches, and even if it wasn’t the application here was not amusing at all. I found myself laughing surprisingly little in this episode, actually. The only parts that were mildly amusing were Ohana and Minchi crying over the onions, and Ohana working at her job to stuff down failed culinary creations.

So I have to say: this episode wasn’t that funny, it didn’t advance the plot much, and it didn’t tell us much we didn’t know about the characters. Well, we did learn that Minko wanted to be a cook since she was little, but I think this was already fairly obvious. So what were the creators aiming for with this episode? I can’t tell. Perhaps a relaxing atmosphere? It did succeed at that, since it almost put me to sleep. Of course, it may be the other way around: I didn’t get much out of the episode because I almost fell asleep.

Steins; Gate 19 — Domestic Violence

ArcRewrite doesn't sound suspicious at all... What could they possibly do?

Now this is more like it! I was a bit worried with Steins; Gate’s recent string of episodes focusing on the addition of new haremettes, but Moeka’s case is fortunately not so simple.

Probably the most frightening part of this episode for Okabe- to come back from a time leap and discover he's been caught eating Christina's pudding.

In the initial episodes, Moeka was one of the characters I liked the least, mainly because she never talked. She came across as unemotional and level-headed. This episode disabused me of that notion. She broke her silence, but didn’t speak so much as scream and wail. She is a broken character, with an overriding dependence on FB. The whole scene with Okabe and Moeka in her apartment was downright intense. I wouldn’t say I *like* Moeka now by any stretch of the imagination, but I can say that she’s managed to capture my attention and a bit of sympathy.

Okabe has changed a lot. He went from a boastful yet timid mad scientist into someone willing to physically assault a woman in her home. His character has taken on a darker tone: how much of his beatdown was to save Mayushii, and how much was for revenge? His recovery when that woman walked in was… creative. Transforming a scene of domestic abuse into a rape scene. Of course that is completely socially acceptable, so the woman lets out a giggle about “lovers these days” and walks away. Anime… *sigh*. Yet it disturbingly mimics reality. Okabe shows a hint of sympathy for Moeka towards the end, but then leaves her crying on the floor.

As for speculation, I’ll be honest: I have no idea who FB is, except it’s probably someone we already met. Maybe Daru is a double agent… I kid, I kid. But perhaps if Okabe can recover the IBN5100, knowing FB’s identity won’t be necessary. This seems like a logical first step, at least.

And I have to wonder: how did Mayushii die at the comics festival? I’ll be interested to hear that one. Okabe has really come to trust and rely on Christina- I’m guessing he’ll need to eventually trust the rest of his harem (and Moeka) with the truth to free everyone from their fate.