All posts by draggle

Dog Days — First Impression

Impressions,

Shinku, a Parkour master and middle school student from Japan, is summoned to a fantasy world to be a hero in a war between cats and dogs. The dogs are about to lose their castle, and if they do, the people will be……  *wait for it*…… *wait for it*…… disappointed. To prevent this tragic fate, Shinku decides to embrace his role as hero and fight in the war, which is fought as a “be a ninja”-style gameshow with obstacle courses.

I’m almost embarrassed to admit it, but I actually liked this episode. This show is just so unbelievably stupid that it might actually work. With the high stakes war, side-scroller Chocobo races, and ridiculous battles I couldn’t help but laugh. It also helps that our “hero” has no doubts or hesitation whatsoever, which is refreshing. It’s an open question whether I’ll still find this funny in a few episodes, but at the very least we shouldn’t have to worry about the show entering srs bsns mode due to how stupid it is.

This probably isn’t for everyone though: you have to have a certain “stupid” sense of humor to enjoy it, which I (unfortunately?) do.

Fractale Review — C-

Reviews, ,

Fractale is an adventure set in a world where a system of satellites, the Fractale system, runs to maintain a virtual world in conjunction with the real world which satisfies basic necessities and allows people to interact with dopples, virtual avatars. Clain meets a girl, Phrynne, a priestess and Nessa, a dopple, who are the key to restoring the breaking-down Fractale system. The three travel together while avoiding the forces trying to capture them.

The main problem with Fractale is that the use of time is terrible, which really matters in an eleven episode show. The middle episodes were a complete a waste— they added only inconsistent information about the world which didn’t relate to the titular Fractale system, and were more or less long sequences of jokes about how Clain is a pervert. They weren’t even funny. Then, of course, because so much time was wasted, the ending was rushed. The series asks so many questions, but doesn’t look at any of them in detail.

Fractale has an interesting setting, certainly, but it is treated so inconsistently and without lead-ins that it seems fragmented and not like a single world. Initially, it seems that everyone in the world lives alone in trailers, and Clain’s living in a house is a social taboo. But not long after we meet rebels who live in a town. Then there are refugees fleeing from a town destroyed when parts of the Fractale system shut down. Can’t they just pick up and move if they live in trailers? Then we jump to a decadent city run by shepherds, and a secret base with robots and clones. It just seems like the creators didn’t know what to do with the setting and changed their mind every episode. The world of the first episode didn’t seem anything like the world of the final episode, and they weren’t able to build a consistent and believable world.

In addition, the creators don’t really address any of the issues raised by the Fractale system at all after the first episode. Clain’s parents raised an interesting question in the first episode, saying that asking people to live together infringes on their freedom. It’s never mentioned again. There are some references to “data drugs”, but it never plays much of a role. Plus, it’s never explained why everyone is so dependent on the Fractale system. It doesn’t grow food, does it? And you can’t live in virtual houses, even though the refugees seemed to- Clain did fall through the floor of one. At the end of the show, the characters end up restoring the Fractale system, but no reason is given. They came to destroy it and ended up fixing it, but why? It just seems like they’re going with the flow. In general, the show ignored the interesting questions in favor of Clain being a pervert.

Fractale also had a strange mix of a peaceful, beautiful Ghibli-esque setting with acts of brutality. One minute we’re laughing and running through the trailer park, the next we’re gunning down innocent bystanders, getting raped and stabbing people. There’s hardly any transition between the two, and I couldn’t really take the violence seriously due to the rest of the show. It just seemed completely out of place.

  • Plot / Script – 6 / 10 – Too much time wasted on Clain being perverted, not enough time on the Fractale system. Inconsistent world-building.
  • Characters – 7 / 10 – Clain gets annoying because of all the jokes surrounding him, and the main villain is a complete joke, but otherwise interesting (particularly Nessa and Phrynne).
  • Production – 8 / 10 – Great animation, especially when they try, such as the scene with Nessa’s mischief in the trailer park and the town market.
  • Overall – C-

Recommendations – Ghibli Movies, Dennou Coil

Fractale 11

Fractale,

A bit rushed and a tad over-dramatic for my tastes, but at least everything was resolved. First of all, Phrynne’s father: I could just never take him seriously. He looks like a complete idiot and is totally incompetent. Taunting Clain as a “clueless adventure boy” through the window does not exactly make a formidable or even respectable antagonist. Phrynne’s response to his taunts was nice though. I liked how understated her stabbing was, with no build-up or warning whatsoever. Just one minute he’s discussing raping her and the next he’s half-dead on the floor. The amount of time it took for Clain and Nessa to react was a nice touch as well. But maybe this is just my “why hasn’t he die already?” inner voice speaking.

I mostly liked the lover’s suicide that the creators decided to do with Dias and the head priestess as well. When Dias first appeared, my immediate thought was “second-stage final boss.” It’s nice to be surprised  and have a villain like Dias who believes and does exactly what he says. Generally the kinds of things like sincerity and conviction are reserved for the good guys (or the unwilling bad guys / bad guys who switch sides). But still, it was rushed and the priestess’s reactions didn’t make much sense.

Now on to the bad side: nothing in the ending was really a surprise. We already knew about Phrynne and Nessa’s relationship. Nessa is 16 and is named after a teddy bear, but this doesn’t really change anything, aside from making the lolicon ending more socially acceptable. Nothing new was revealed, and they should have saved a few things for the final episode.

Then there’s Sunda’s death: it was completely pointless. Dias’ death was pointless as well, but at least it accomplished something useful by clearing the room. Why, a year later, do they show Enri reminiscing about Clain, the “true pervert”, and not about Sunda? And the epilogue used the one-year coma plot device, which I really hate. What is the point of making the character fall into a coma for ten seconds of viewing time? Am I supposed to be surprised and touched when she wakes up or something?

Nice explosion.

Infinite Stratos Review — D

Reviews,

Infinite Stratos : Generic Harem #237 (plus mecha). Ichika goes to an all-girls school for IS (mecha) pilots and becomes a pimp. Infinite Stratos has quite literally the most generic harem plot you can imagine. In the first episode, Ichika moves to an all girls school. He meets his long-lost childhood friend, Houki. And what a surprise, Ichika discovers that they are roommates when he walks in on Houki in the shower! The first episode was so terrible that I thought it was a parody. Unfortunately, I was being much too generous.

Basically everything that Hourou Musuko did right, Infinite Stratos did wrong. The characters were boring, cliched and inconsistent. We have a straight-laced Japanese childhood friend who practices Kendo, a snobby British girl, a Chinese girl whose family runs a ramen shop and who is also a childhood friend, a cross-dressing French girl (this character was actually decent), and a militaristic German girl who makes a sudden and unexplained transformation into a defenseless moeblob.

But even worse than the vapid characters is the fact that the creators focus on one character for a couple episodes, and then proceed to push them into the background and forget about them. Houki showed up for the first episode and the last two but basically didn’t do anything in the middle. The same can be said of all the other characters as well: they have their two episodes in the spotlight and are discarded, hidden in the recesses of Ichika’s harem.

The creators also decided to go for a dramatic, meaningful and deep psychological ending with everyone joining their power to protect their comrades. With the desire to protect their comrades, the inherent powers of their IS awaken and they power up to defeat the enemy! (my explanation isn’t quite all there is to the ending… for one thing, it makes much more sense than the actual show) This was seriously one of the cheesiest endings I’ve seen in a while. I wish that the creators of shows like this could accept that they don’t have any deep meaning, and trying to make it look otherwise isn’t fooling anyone, only inducing pain and suffering for the viewers. The only reason anyone watches this show is for the stupid harem hijinks, and it’s better to just continue with that than to try to make the final episodes of the show into something it’s not and fail miserably.

There were some good points to this show though. For one, the arc with the French girl, Charles, was actually pretty decent. But my standards may have been set pretty low because of the rest of the show. Also, the animation and choreography of the battles was generally well done, but it would have been more effective had I actually cared about the characters in the fights…

  • Plot / Script – 5 / 10 – About as generic as it gets.
  • Characters – 5 / 10 – Poorly developed and quickly discarded.
  • Production – 7 / 10 – Good fight scenes and consistent animation, but otherwise does nothing to stand out.
  • Overall – D

Recommendations – Isekai no Seikish Monogatari, Love Hina, Zero no Tsukaima, etc…. if you like this kind of thing, there are a million ones that are better.

Hourou Musuko Review — A

Reviews, ,

Hourou Musuko (Wandering Son) tells the story of Nittori Shuusuke as he begins the difficult transition through puberty. Shuusuke and his friend Takatsuki are both uncomfortable with their assigned gender, and prefer to adapt the mannerisms and clothing of the opposite sex. Horou Musuko explores the growth of them, their friends and their classmates.

Chiba is awesome.

The strongest aspect of Hourou Musuko is the cast – for a show of only eleven episodes, the number of characters is astronomical, and all of them are well-developed. The creators did an amazing job at utilizing the limited time to the fullest extent for character development. One very effective technique which I haven’t seen to such an extent anywhere else is quite simple in principle: in a scene with multiple characters, one character will say or do something, and the rest will react simultaneously. Nearly every show has scenes like this. But usually all the characters have the same reaction. This is where Hourou Musuko stands out: instead of reacting the same, the scene is set up so that the characters can, no, must, react differently based on their personalities (see the image below: count five completely different reactions). From casual interactions in scenes like this, we can, in a short amount of times, glimpse deeply into multiple characters simultaneously. This technique helped Hourou Musuko to develop such a large and strong cast in a short amount of time.

The other thing which makes the characters stand out is that they treat different people differently. This is obviously true in real life, but anime often neglect this, having characters interact with their close friends, family and complete strangers in the same way. But consider Maho, Shuusuke’s sister: she treats her brother like a creepy little brat to his face, tries to get her friends to cheer him up behind his back, acts like a fashionable teenager with her modelling friends, and is shy and demure with her boyfriend. Maho’s relationships make her feel like a real person instead of a cardboard character cutout.


The script flows extremely well, which, for a show that jumps around between scenes and characters as much as Hourou Musuko, is quite an accomplishment. The decision to skip over the beginning of the manga turned out well, since it allowed the show to use its limited time to cover the more interesting parts. This may have the effect of leaving first-time viewers of the series a bit lost trying to figure out who all the characters are, but stick with it, you’ll figure it out in a few episodes and be grateful for the choice in the end.

  • Plot / Script – 9 / 10 – Smooth, timely scripting, particularly in the many scene changes, which are nearly unnoticeable in how little the flow is interrupted.
  • Characters – 10 / 10 – A large, strongly-developed cast: approaches Simoun in ambition as a character study.
  • Production – 9 / 10 – Unique, beautiful style – I especially love the faces and the shininess of the hair.
  • Overall – A

Recommendations – Simoun, Aoi Hana