Star Driver – Episode 15

In this episode we get to know more about Mizuno. At first she really annoyed me, just a bubbly happy slightly obnoxious person, but she has slowly grown on me. (her sister Marino was always awesome) Interestingly, there was no fight in this episode, although Mizuno did sing her song. I think that something big is going to happen soon.

The ending is going to be amazing for this show – it has built up so many questions right now, and at this rate it still has plenty of time to answer them. It seems that in the next episode we will discover more about Marino – what is her relation really to Mizuno? They keep dropping hints about how they have the same memories but sometimes both are there and sometime only one. I hope that it doesn’t end up as some “we are the same person” BS. After that, the show will probably give some development to the class president and then finally to Takuto as the biggest mysteries are revealed – what is the Glittering Crux and what is their purpose? What do the Maidens even do?

And my Utena sensibilities are telling me that someone needs to fall into darkness soon. 🙂

Onii-chan no Koto – Episode 2

This episode kicks up right where the last one left off and kept me laughing the whole way through it. Nao’s antics are still hilarious, and Iroha is great as well. All of the characters in this show are… larger than life, shall we say. Even Shuusuke, the male lead isn’t boring at all. He actually takes action instead of just having things happen to him, and isn’t completely irredeemable.

The jokes in this episode were, I think, even more funny than last episode. It was funny when Nao was playing the recorder, and then when Shuusuke played it later I was cracking up. Probably the best part though was Iroha’s “gift” at the end of the episode. Over the past week I read the manga. The show is following it pretty faithfully, and we should have some good stuff to look forward to. I’m especially eager for when Kondou (the class president) will start playing a bigger role.

Glasses are good too.

First Impression – Hourou Musuko

If the rest of this show is as strong as this first episode, it’s going to be an amazing ride. I have a personal bias for shows that take place in the early years of puberty towards the beginning of middle school – it’s just such a challenging and interesting period of life and of growth. And I have a certain fondness for coming of age stories. In my experience, anime which take place in this difficult period are quite rare, but when they do, they tend to turn out amazing and rank among my favorite shows of all time. Denno Coil, Noein, Kamichu, Haibane Renmei, Narutaru, and Simoun (although delayed it’s still basically puberty) all take place during this difficult age and basically compose half of my top ten list. (well, the Narutaru anime wasn’t all that great, but the manga was. And this makes me realize, my blog’s banner has a noticeable lack of Densuke and Hoshimaru. This will be addressed.)

So why is Hourou Musuko so great? First of all, the characters. Most shows which involve crossdressing either have the characters do it against their will or be hiding their gender. Not that I have anything against these memes, mind you! Certainly, bunny suit Hayate = win, and Maria = win. But in this show we actually have some heartfelt confusion about gender and what it means, as these children’s sexual interest first develops. And these people actually care what others think of them – and people think it’s weird to crossdress. But I appreciated that even these “antagonists” – such as the sister – are unsure about it and even feel guilty at lashing out, as evidenced by her attempt at an apology. The two main characters are not the only ones who have some depth in regards to gender issues. In addition, the size of the cast is quite impressive – and it feels like we have barely touched the tip of the iceberg.

Which brings me to the second area which makes this show stand out. The script. These characters already know each other well, and know much more about each other than the viewer does. They have a long past together and relationships which are already well-developed, a comfort zone which they fit in. This is as opposed to how so many shows have characters which meet each other for the first time within the series (with the possible exception of a few childhood friends who are all the same stereotypes). Creating a believable environment where the characters have known each other for a long time is much more difficult, but in my opinion is also much more rewarding and authentic. I should point out that Hourou Musuko also has some amazing visuals. I like the fabulous shininess.

So yesterday I promised a post on Madoka, but I’ve changed my mind. I think that on a weekly basis, I will attempt to blog episodes of Fractale, Hourou Musuko, Kore wa Zombie Desu Ka, Star Driver, and Onii-chan, depending on how the second episode goes. I’m still not entirely sure where I’m heading with this blog, so I may change my mind as time progresses / miss a few episodes if I don’t have anything to say / etc. I’ll probably also do some random posts on whatever happens to strike my fancy. As for what I’m not blogging – the second episode of Dream Eater Merry bored me as much as the first, and GoSick has an interesting setting but unfortunately it doesn’t seem like they’ll be making much use of it, instead they’ll be making cute moe faces. Also the mysteries are painfully obvious. You know the only character in the room that matters is the one with strangely colored hair, plus it quite obviously shows her in the flashbacks.

First Impression – Fractale

This show was great. As expected of noitanimA. First of all, this show has such an imaginative setting! It reminded me a lot of some of Isaac Asimov’s stories – in particular the ones about the people on Solaris, where there are only about fifty people on the entire planet, and they live in huge mansions and never see one another. It is considered rude to even touch other people. It seems that this world isn’t quite at that level yet; people do make physical contact (as evidenced by the drug dealers and the police). I’m quite curious to learn more about the setting’s social structure.

It seems like access to the satellites which stores everyone’s data is controlled by some sort of religion which the girl that showed up is part of, and I’m interested to see where that is headed as well. In addition to having a great setting, the direction does an excellent job of exposing it as well. Instead of having the boy say “I am not used to human contact” we see him flinch away from the girl he meets; instead of saying “I’m going to upload my data to the satellite” we see him praying. This is one of the most important rules of storytelling: show, don’t tell, which animated media such as anime are able to do even better than books with facial expressions and cues which would remained unnoticed until the second or third time you watch the show. Yet show many shows fail miserably at this and have endless spoken exposition from the characters which adds nothing to the story. (“I’m going to punch you!” “This cross will… *technobabble*… make everyone Catholic!” Yes, I’m looking at you, Index. The technobabble part only took about three episodes.) So thank you Fractale for not assuming your viewers are idiots!

On the negative side… there isn’t too much to say, but I am a bit concerned about a few of the characters. In particular the main “villains” (although I highly doubt they will remain in this state for long) are giving awfully strong Team Rocket vibes. And I am a bit concerned that now we have a young girl who just hatched from data, hopefully this will not be like Dragon Crisis. But given the overall direction of the first episode, I think that the show will not fall into these traps.

I would have said that this is the best show of the new season, but unfortunately I already watched Hurou Musuko, which takes the cake by a long shot. I will probably make a post on this tomorrow, as well as on Madoka which had a great second episode. Infinite Stratos had a horrible second episode… I think I may have misevaluated the first one. I was laughing my head off for the first episode because I thought it was hilariously bad, and I only assumed something so cliched could be intentional. But in retrospect it seems like I was wrong, and the creators were actually serious.

King of Thorn Review – F

Brief Summary: A terrible virus, Medusa, spreads around the world and turns people to stone. The creators of the virus (unbeknownst to the rest of the world) create a cyrogenic sleep center to protect 150 people from the virus. They will awaken in 100 years.

Sounds like an exciting sci-fi movie, right? Wrong. This description is barely even incidental to the plot of the movie, which is about dreams and fairy tales. Well, saying it is about dreams and fairy tales is quite generous. Really, it’s about running away from monsters. I don’t know why, but the creators start with this fairly interesting premise and completely toss it out. The virus is basically a plot device to make people go into the cyrogenic sleep center and to kill people at convenient times so that they can die “tragically.” All but seven or so of the sleeping people die within a minute of waking up. Maybe this was supposed to be shocking but it was really just pathetic. The cyrogenic sleep lasts for two days instead of 100 years, and this is discovered after about twenty minutes of being awake, so it is not like they are concerned about it at all. Plus, the creators of the movie seem to completely forget the plot thread about the creation of the virus about halfway through the movie, for no apparent reason. It is never mentioned again.

I had high hopes for this movie for approximately the first two minutes, when it started out with one of the only semi-realistic settings in America I have ever seen in anime (the other being being Red Garden). This was coupled by a quote from Romans on the side of a bus for bonus points. Unfortunately, once people came into the movie everything went downhill. The setting was a European castle, supposedly in the middle of the US, next to an ocean with windmills. Why did they show New York at the beginning?

In an even more egregious move, the movie drops the Christian mythology we were expecting from the quote from Romans and random talk about Noah’s ark, along with the religious cult hiding in the shadows which controls the corporation (as far as I can tell, they are never mentioned after the first ten minutes). This is exchanged for the story of Sleeping Beauty. Now, I may be biased because of the Disney movie, but Sleeping Beauty is one of the most boring folktales ever told. And they start off with Christian mythology and crazy evil cults and drop it for this. Disappointing, to say the least.

King of Thorn also did a very poor job at explaining the plot. This may have just been me (the attention I paid to the movie decreased exponentially over time as my interest waned) but by the end of the movie I was even more confused than I was at the beginning. A good mystery should reveal the answers to previous questions as it asks new ones. This movie asks new questions as it forgets about the old ones. By the end of the movie I barely had any idea what was happening anymore. And not in a good, mindfuck kind of way. In a “they fail at explaining” kind of way. I didn’t even realize that the main character and the person who came to the cyrogenic freezing center with her at the beginning were twins until halfway through the movie. And I’m pretty sure this wasn’t supposed to be one of the “twists.”

Looking on the positive side, one of the bright points was the musical soundtrack. All 30 seconds of it. By the twentieth time through I had had about enough. As for the characters – they weren’t interesting at all because all of their actions were reactive. The entire movie was them running away. What will we do next? Uh oh, monsters. Run! More monsters?! Run! The castle is flooding? Run! This is most of the plot.

  • Plot / Script – 4 / 10 – Horrible / no resolution, forgotten questions, unfulfilled premise.
  • Characters – 4 / 10 – The characters’ entire personalities were merely occupational. Mother. Soldier. Mad scientist. Ex-KGB. RPG player. Police officer. None of the characters really took any steps outside their assigned role, with the possible exception of the main character.
  • Production – 7 / 10 – It did look nice, I’ll give them that, but work a bit harder on the music, ok?
  • Overall – F

How it would be Worse Better under Director Draggle – Maybe try doing something with the premise involving cyrogenic sleep instead of forgetting about it after ten minutes. Try something involving the characters performing some activity other than running away from monsters. Make the plot at least mildly coherent. But seriously, I would just pretend this never happened.

Recommendations – Princess Tutu (any arbitrary episode tells a better fairy tale than this), Shangri-la (for same kind of sci-fi / overrun cityscape setting)